Order
|
Description
|
Duration (Seconds)
|
Shots
|
Lyrics
|
1
|
Different shots of couple in different locations during piano solo (man on a bench, woman drinking against a wall)
|
11
|
Panning, medium close ups, wide shot
|
*piano solo
|
2
|
Shot of man standing and walking
|
6
|
Close up, tracking shot
|
From walking home and talking loads
|
3
|
Shot of woman standing up drunk
|
7
|
Wide shot, close up, pan
|
To seeing shows in evening clothes with you
|
4
|
Video of the couple happy in bed fades to him waking up to no one
|
11
|
Medium close ups, wide shots, close ups, panning
|
From nervous touch and getting drunk To staying up and waking up with you
|
5
|
Man looks at picture frame of them and puts it down
|
3
|
Close up, (eyeline match)
|
*music solo
|
6
|
Shot of man walking up hill
|
6
|
Medium close up, extreme close up, tracking
|
But now we're slipping at the edge Holding something we don't need
|
7
|
Shot of woman walking up and picking up grass and letting it go
|
6
|
Panning, medium close up
|
All this delusion in our heads Is gonna bring us to our knees
|
8
|
Man lying down on hill
|
4
|
Panning from behind
|
So come on, let it go
|
9
|
Shot of woman sitting on hill
|
3
|
Pan from behind
|
Just let it be
|
10
|
Eyeline match of both looking up to the skies at the clouds
|
6
|
Wide shot, close ups, wide shot of sky
|
Why don't you be you And I'll be me?
|
11
|
Flashback of argument, includes shouting and her throwing his bag at him
|
11
|
Wide shots, medium close ups, ends on extreme close up fades to..
|
Everything that's broke Leave it to the breeze Why don't you be you And I'll be me?
|
12
|
Man on hill
|
3
|
Extreme close up
|
And I’ll be me
|
13
|
Man getting up and walking further uphill, same with woman
|
11
|
Wide shots, tracking shots
|
*music solo
|
14
|
Flashback of them being playful to him finding a letter on the bed
|
10
|
Wide shots, medium close up, panning
|
From throwing clothes across the floor To teeth and claws and slamming doors at you
|
15
|
Back to man walking up hill
|
4
|
Medium close up
|
If this is all we're living for
|
16
|
Man sits down on hill
|
6
|
Panning shot, medium close up
|
Why are we doing it, doing it anymore?
|
17
|
Pan of man looking in mirror, changes to someone else in mirror
|
6
|
Panning from behind
|
I used to recognize myself It's funny how reflections change
|
18
|
Shot of woman sitting down on hill
|
3
|
Medium close up
|
When we're becoming something else
|
19
|
Shot of woman getting up and walking
|
3
|
Wide shot
|
I think it's time to walk away
|
20
|
Shot of man walking up hill again
|
4
|
Medium close up
|
So come on, let it go
|
21
|
Shot of woman walking up hill again
|
4
|
Tracking shot
|
Just let it be
|
22
|
Flashback of them doing Chinese lanterns at night
|
7
|
Close ups of lighting it, wide shot of watching it go
|
Why don't you be you And I'll be me?
|
23
|
Shot of man holding his heart as he's walking up
|
4
|
Medium close up
|
Everything that's broke
|
24
|
Shot of woman holding heart as she's walking up
|
4
|
Medium close up
|
Leave it to the breeze
|
25
|
Pan of man looking down at hand, down to the blood on the hand
|
6
|
Panning close up
|
Why don't you be you And I'll be me?
|
26
|
Shot of woman looking down at bloody hand
|
4
|
Panning close up
|
And I'll be me
|
27
|
Flashback of the couple walking down a street holding hands
|
4
|
Tracking shot
|
*Straight to*
Trying to fit your hand inside of mine
|
28
|
Flashback of man walking on the same street on his own
|
3
|
Last tracking shot fades into this one
|
When we know it just don't belong
|
29
|
Man walking up hill, showing that the blood on his chest has increased
|
7
|
Medium close up, wide shot
|
There's no force on earth Could make it feel right, no, woah
|
30
|
Split screen of man and woman both throwing different flowers angrily
|
4
|
Split screen wide shot
|
*Slow chorus*
So come it let it go
|
31
|
Close up of flowers dropping in slo-mo
|
4
|
Close up of flowers falling in air
|
Just let it be
|
32
|
Both stop throwing flowers and sit down
|
3
|
Split screen of medium close ups
|
Why don't you be you
|
33
|
Both sitting down on hill
|
3
|
Split screen slides to wide shot of both in same location
|
And I'll be me?
|
34
|
Shot of flowers on ground both ended up together
|
3
|
Extreme close up
|
*Very last* And I'll be me
|
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